Secondary Dominants Explained – JAZZ PIANO THEORY09:57

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Secondary Dominants Explained – JAZZ PIANO THEORY

by | Nov 8, 2018 | JAZZ, JAZZ BEGINNER, JAZZ PIANO, MUSIC THEORY

Secondary Dominants Explained – JAZZ PIANO THEORY

In this jazz piano tutorial made by MangoldProject, you are going to learn more about secondary dominants, probably the most useful theoretical concept in jazz harmony.  Secondary dominants are basically the dominants in the scale of a target chord.

For example, if you’re going to play an Fmaj7 – regardless of the scale you’re in – then its secondary dominant is C7. The way to see this is to construct the F major scale: F G A Bb C D E F and note that the dominant degree in that scale is C. The chord built on the dominant degree is a dominant 7th chord: C7.

Alternative notation: Suppose you’re playing in the key of C major, where Fmaj7 is the 4th degree. Its secondary dominant will be C7. Sometimes you will encounter the notation V/IV, indicating you should play the secondary dominant of the chord built on the 4th degree (Fmaj7). You are expected to figure out on your own this means C7 (just construct the F major scale and pinpoint its dominant degree). (© Mangold Project)

MY OPINION

A really important theoretical concept to learn if you want to be able to create more complex chord progressions.

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